%=============================================
%   created by MuseScore Version: 0.9.6
%          jeudi 9 janvier 2014
%=============================================

\version "2.12.0"



#(set-default-paper-size "a4")

\paper {
  line-width    = 190\mm
  left-margin   = 10\mm
  top-margin    = 10\mm
  bottom-margin = 20\mm
  %%indent = 0 \mm 
  %%set to ##t if your score is less than one page: 
  ragged-last-bottom = ##t 
  ragged-bottom = ##f  
  %% in orchestral scores you probably want the two bold slashes 
  %% separating the systems: so uncomment the following line: 
  %% system-separator-markup = \slashSeparator 
  }

\header {
    }

AvoiceAA = \relative c'{
    \set Staff.instrumentName = #""
    \set Staff.shortInstrumentName = #""
    \clef treble
    %staffkeysig
    \key f \major 
    %bartimesig: 
    \time 4/4 \tempo 4=220
    <c, e'' c'>4 <e g ces''> <g, bes'''>8~ <g ces'''> <e' c' bes''>~ <e c' a''>      | % 13
    <c, c' gis'''>4 <e' c' g''> <g, fis'''> <e' c' g''>      | % 14
    <c e'' a> <e c' aes''> <g, g'''>8~ <g aes'''> <e' c' g''>~ <e c' ges''>      | % 15
    <c, c' f''>4 <g'' c e'> <g, ees'''> <g' c e'>      | % 16
    <b, d'' g>8~ b <b' g' f'>~ <b g' f'> <g, b'' cis>4 <f' g' d'>      | % 17
    <b, d'' g>8~ b <b' g' f'>~ <b g' f'> <g, b'' cis>4 <f' g' d'>      | % 18
    <d b''>8~ <d c''> <g b des'>~ <g b d'> <g, ees'''>~ <g e'''> <g' b f''>~ <g b fis''>      | % 19
    <d g''>~ <d gis''> <g b a''>~ <g b b''> <g, a'''>4 <f' b g''>8~ <f b>      | % 20
    
    \bar "|." 
}% end of last bar in partorvoice


\score { 
    << 
        \context Staff = ApartA << 
            \context Voice = AvoiceAA \AvoiceAA
        >>




      \set Score.skipBars = ##t
      %%\set Score.melismaBusyProperties = #'()
      \override Score.BarNumber #'break-visibility = #end-of-line-invisible %%every bar is numbered.!!!
      %% remove previous line to get barnumbers only at beginning of system.
       #(set-accidental-style 'modern-cautionary)
      \set Score.markFormatter = #format-mark-box-letters %%boxed rehearsal-marks
       \override Score.TimeSignature #'style = #'() %%makes timesigs always numerical
      %% remove previous line to get cut-time/alla breve or common time 
      \set Score.pedalSustainStyle = #'mixed 
       %% make spanners comprise the note it end on, so that there is no doubt that this note is included.
       \override Score.TrillSpanner #'(bound-details right padding) = #-2
      \override Score.TextSpanner #'(bound-details right padding) = #-1
      %% Lilypond's normal textspanners are too weak:  
      \override Score.TextSpanner #'dash-period = #1
      \override Score.TextSpanner #'dash-fraction = #0.5
      %% lilypond chordname font, like mscore jazzfont, is both far too big and extremely ugly (olagunde@start.no):
      \override Score.ChordName #'font-family = #'roman 
      \override Score.ChordName #'font-size =#0 
      %% In my experience the normal thing in printed scores is maj7 and not the triangle. (olagunde):
      \set Score.majorSevenSymbol = \markup {maj7}
  >>

  %% Boosey and Hawkes, and Peters, have barlines spanning all staff-groups in a score,
  %% Eulenburg and Philharmonia, like Lilypond, have no barlines between staffgroups.
  %% If you want the Eulenburg/Lilypond style, comment out the following line:
  \midi  {  }
  \layout {\context {\Score \consists Span_bar_engraver}}
}%% end of score-block 

#(set-global-staff-size 20)